6.1 Notes, rests and accidentals
|Category: Elementary music theory | Tags: Notes, rests and accidentals|
In this chapter you will learn about double sharps and double flats. You will also learn about the thirty-second note and rest and about the dotted whole note and dotted sixteenth note. Further, you’ll have aan excercise to learn how to recognize rhythms.
1. Double sharp and double flat
This chapter provides an overview of the main theory from Note Reading chapter 6. Accidentals, where you learn about double sharps and double flats.
Theory and practise
Learn more about double sharps and double flats and practise their names in Note Reading chapter 6. Accidentals.
2. Thirty-second note and rest
3. Dotted whole note and dotted sixteenth note
4. Ear training
The exercise recognizing rhythm is a preparatory exercise for Chapter 6.25 Rhythmic dictation.
The purpose of this exercise is to learn to hear the difference between two differently notated rhythms. The difference between these two rhythms concerns only one note.
Ear Training exercise 6d: the played rhythm is notated twice. Choose the right rhythm.
The next rhythm is being played:
Choose which rhythm you hear.
The rhythm is notated in a two-four meter. The difference between the first and second rhythm is the second beat in the first measure:
- in the first rhythm, an eight note and four thirty-second notes are being played.
- in the second rhythm, four thirty-second notes and an eight note are being played.
Clap or tap the two notated rhythms to train your inner hearing abilties. Then play the rhythm and try to hear whether in the second beat in the first measure
- an eight note and four thirty-second notes are being played (choise 1) or
- four thirty-second notes and an eight note are being played (choise 2).
Answer: choice 2.